It's usually about 10 metres away for a 50mm lens at f/13 I think. What you want to do is use the hyperfocal distance (google it, there's a lot of info about what it is, and calculators to find the ideal focus distance for your lens and camera). It will work but you won't maximise depth of field by doing that because with a stopped down aperture like f/13, you actually focus beyond infinity if you focus near infinity. For focusing, don't focus on the background. That is about the widest you can get without extreme perspective distortion and you end up with a roughly square image (but compositionally, there's usually more ceiling than floor). In portrait format, I use 5 columns by 3 rows with about 20% overlap between images. The 50mm f/1.8 should be fine really, that's my 'sweet spot' focal length for most of my interior panoramas. For a 6D, I'd recommend using about 50mm, the same as I do.How do I focus correctly? How many rows/columns should I chose? So many questions.
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Do you have some kind of howto on how to take a multirow panorama of a church interior? What do I especially have to pay attention to? Which lens and which focal length would you recommend? Actually I only have the EF 24-70mm f/4 L IS USM and the EF 50mm f/1.8 on my EOS 6D. The only picture we actually have of this church is this one and I believe this church definitely deserves a better one. Hi Diliff, as recommended by you I bought myself the Nodal Ninja 3 Mk II and now I'm planning my first high res church interior. 69 Rare Look Inside the Secret Passageway to London’s Lost.
63 Your Tobias Kamke and James McGee photos seem to be reversed.
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