The bright colours and detailed backgrounds are beautiful to behold, but never distract from the action. For our money, these changes are actually an improvement. In a slightly controversial move, the game’s visuals are in a completely different style to those of its predecessor. Nidhogg simply isn’t as fun when you don’t have your opponent sitting beside you. There are also single player and online modes, but these are significantly less enjoyable than their couch multiplayer cohorts. one play, but there is a tournament mode for up to eight players. Each level offers an interesting twist on both the core mechanics and the game’s lore, and discovering these twists for the first time is an absolute joy.īefore every match you can alter which weapons are available, as well as implementing a bevy of ‘cheats’ that slightly alter the fundamental mechanics. One sees you jousting inside a medieval dance club, while another has you facing off in the bowls of an airship used primarily for meat-packing. There are ten levels in which to battle, each more ridiculous than the last. The game doles these weapons out randomly, forcing you to understand the purpose behind all of them. Similarly, the bow and arrow takes a few seconds to draw, but the range it offers allows you to control the battlefield. This obviously leaves your mid-section open for attack, so you might decide to simply make a break for it instead. Suddenly you not only have to consider how your opponent is approaching you, but also how your weapon can be used to counter theirs.īroadswords, for instance, more easily knock weapons out of your foe’s hands, but can only be used in the top and bottom stances. These make the gameplay even more dynamic. The main difference in this sequel is the addition of new weapons, including a short dagger, a bow and arrow, and a broadsword.
And even if it isn’t, quick respawn times mean that you’ll never feel particularly sore.Īs mentioned, this should all sound familiar to anyone who played the first Nidhogg. With that said, death is almost always a direct result of a mistake you made, either strategically or mechanically. Its brawls move at a dizzying pace that demands precision, but never forego the visceral pleasure of wildly swinging a sword around. Ultimately, the most impressive thing about the game’s flow is that it manages to feel both chaotic and controlled. Add jumps, wall jumps, rolls, throwable weapons, and disarming dive kicks into the mix, and suddenly the combat offers a huge range of strategic opportunities. Weapons on the same level deflect each other, while weapons on different levels hit depending on their length. Once combat proper starts, however, things quickly devolve into a mad scramble. Your weapon can sit on three different levels, and at the beginning of a bout you and your opponent will battle wits in an attempt to glean each other’s strategies. In order to pass your opponent, you have to engage them in combat using a system that feels like the delicate marriage of fencing and a rugby scrum. It's probably going to take until Nidhogg 15 for us to fully accept that premise. You and a single opponent attempt to run towards opposite ends of a large 2D arena in order to be eaten by the giant cosmic worm known as the Nidhogg. Nidhogg 2 is the very definition of an iterative sequel, in that it makes no changes to the core mechanics of its predecessor.
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